Britney Spears Age in Oops I Did It Again
| Oops!... I Did It Again | ||||
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| Studio album past Britney Spears | ||||
| Released | May 3, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
| Studio |
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| Genre |
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| Length | 44:37 | |||
| Label | Jive | |||
| Producer |
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did It Over again | ||||
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Oops!... I Did It Again is the second studio anthology by American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Infant I More Time (1999), it is a pop, dance-pop, and teen pop record, the album incorporates a more funkier and R&B sounds. [1] Contributions to the album'southward product came from a broad range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[two]
Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its production, sonic quality and Spears' song performance. The album became a massive commercial success, debuting at number one in over twenty countries while peaking within the top 5 in various other. In the United States, it debuted at number one on the Billboard 200, with start-week sales of i.39 million copies, becoming the fastest selling album by a female artist since Nielsen SoundScan began tracking bespeak-of-sale music purchases in 1991.[3] This record was broken fifteen years later by Adele'south 25, which sold over 3.38 one thousand thousand copies in its first calendar week of release.[4] Information technology became Spears' second consecutive anthology to exist certified Diamond by the Recording Industry Association of America, denoting sales of over x million copies in the Usa, making Spears at age 18 the youngest artist to accept multiple diamond albums.[5] With worldwide sales of over xx million copies,[vi] Oops!... I Did It Again is 1 of the all-time-selling albums of all-time.
Iv singles were released to promote the anthology. Its title track was commercially successful in a number of territories, reaching number one in xv countries and peaking at number 9 on the Us Billboard Hot 100. Its second single, "Lucky", peaked at number ane in Austria, Germany, Sweden and Switzerland, within the top ten in Australia, Belgium, Canada, Denmark, Ireland, Italia, the Netherlands, New Zealand, Norway, Poland, Romania and the U.k., and at number twenty-three on the United states Billboard Hot 100. Its 3rd unmarried, "Stronger", reached the elevation ten in Republic of austria, Finland, Federal republic of germany, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number 11 on the US Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gold certification in Australia, Denmark, Germany, New Zealand, Sweden, and the U.s.. Its last single, "Don't Let Me Be the Last to Know", was moderately successful on the charts, peaking at number i in Romania, and within the height ten in Austria, Poland, and Switzerland, just failed to chart on the US Billboard Hot 100. To promote the album, Spears performed on several television shows and award ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She also was the host and musical guest for the first fourth dimension on Saturday Dark Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Again Tour, starting on June 20, 2000 and ending at the Rock in Rio festival on January 18, 2001.
Recording and production [edit]
"When I did the outset anthology, I had simply turned 16. I mean, when I look at the album cover, I'thousand like, 'Oh, my lordy.' I know this adjacent album'southward going to be totally dissimilar--especially the cloth. I merely got finished recording the kickoff six tracks in Sweden ii months ago, and the cloth is and so much more funkier and edgier. And, of course, information technology's more mature considering I've grown equally a person also."
—Spears on the progression of her cloth for the anthology.[7]
After vacationing for six days post-obit the completion of the ...Baby One More Fourth dimension Tour in September 1999,[8] Spears returned to New York City to begin recording songs for her adjacent album; the majority of the recording took identify in November. Information technology featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Again", "Walk on By" (afterwards covered past Gareth Gates), "What U Run across (Is What U Get)", and "Don't Become Knockin' on My Door" were the first to exist recorded at Martin's Cheiron Studios in the first calendar week of November; followed by "Stronger" and "Lucky", which were finalized (along with the title track) in January 2000. Spears recorded "Don't Let Me Be the Concluding to Know" at Robert Lange's villa in Switzerland in December 1999; Lange produced the song.[ten] "Where Are Yous Now" was an outtake from ...Infant Ane More Time. "Girl in the Mirror" and "Tin can't Make You Honey Me"'south instrumental track and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking up with producer Steve Lunt to record Diane Warren'due south "When Your Optics Say It" at Bombardment Studios on Friday, January 28, 2000, which preceded her TRL advent that day. "One Kiss from You" was also recorded at Bombardment Studios but was later finished at 3rd Flooring in New York City. Spears also recorded the concluding rails for the album "Beloved Diary" which would afterwards be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Heart". Her cover of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 subsequently attention the 42nd Annual Grammy Awards.[xiii] [14]
Past January, the and then-untitled album was halfway to completion; Spears had worked on it primarily in the United States and Sweden, and finalized fabric in New York City.[9] She was heavily pressured afterwards ...Baby One More Time 's huge commercial success, stating: "It's kind of difficult post-obit ten million, I accept to say. But after listening to the new cloth and recording it, I'g really confident with it."[15] Upon the release of Oops!...I Did Information technology Again, Spears said: "I mean, of course there'south some pressure level", and added: "But in my opinion, [Oops!] is a lot better than the outset album. Information technology's edgier – it has more of an attitude. It'due south more than me, and I call back teenagers will chronicle to it more than." Geoff Mayfield, director of Billboard charts, added that the conclusion to release Oops!... I Did It Again less than a twelvemonth and a half later Spears' debut amounts to "very smart timing. My philosophy is when you lot have a young fan base, become 'em while they're hot."[16]
Music and lyrics [edit]
Oops!... I Did It Again was considered as a sequel to Spears' debut album, ...Babe I More Time (1999),[1] percolating with a carefully measured alloy of familiar pop, funk, R&B and power balladry.[17] Spears said during an interview that the anthology has a more mature, R&B-flavored popular audio. "It'south non something I changed purposefully", Spears said of the album's sound and added: "It'south just something that kind of changed on itself with me being older. My voice has changed a little bit and I'm more confident, and I think that comes across on the cloth."[7] One of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "Information technology's going to shock everybody", adding: "It has flavors of the original, merely information technology's a straight 2000 version — new to the ear. Which I think is cool, because people who appreciate that song are going to love it. And I fabricated it so new and young that the young kids that love Britney are going to dear it. It's going to grab both a mature and young audience."[18] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Last to Know", telling MTV News: "When y'all hear the song, it'due south so pure and frail. It's just one of those songs that pull you in", and added: "I call back they wrote it 'specially for me, because the lyrics of the vocal, if you actually listen … they're more of what I can relate to, 'cause they're kind of young lyrics, I think. I don't call up Shania would probably sing some of the words that I'm maxim."[18]
The championship track and opening vocal, "Oops!... I Did It Again", was compared to her debut single, "...Baby 1 More than Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the vocal sees Spears warning to an overeager prospective lover: "Oops, you think I'm in love/That I'k sent from in a higher place — I'm not that innocent."[xix] The song likewise breaks down for a spoken-word interlude, involving a line from the film Titanic (1997).[xix] The second runway "Stronger" is a synthpop[20] and R&B-infused track,[18] which is lyrically a declaration of independence, where Spears leaves a partner who treats her similar property.[21] The line "my loneliness ain't killing me no more" makes reference to the poetry "my loneliness is killing me" from her vocal "...Baby One More than Time".[18] Another R&B-infused track, which also adds a scrap more than funk to the mix,[18] "Don't Go Knocking on My Door" finds Spears confidently forging ahead after a breakup.[21] The fourth runway, a cover of the Rolling Stones' "(I Tin't Get No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown downwards, turning the song into an urban stomp.[22] The dance-popular version also jettisons the song's final verse and adds some new lyrics[xviii] ("how white my shirts could be" becomes "how tight my brim should be").[23] "[Information technology] was my thought [to record the vocal]", Spears said. "I was just similar, 'I like this song,' and I think it volition be a actually absurd combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky vocal like that."[24] The fifth track, "Don't Let Me Exist the Terminal to Know", was co-written by country-pop singer-songwriter Shania Twain and her and so-married man, producer Robert "Mutt" Lange, who too produced the rails.[18] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish product, finds Spears assuasive a bit of country twang into her vocals as she begs a lover to reveal his feelings: "My friends say you're into me ... but I need to hear it straight from you", she sings.[18]
The sixth track "What U Meet (Is What U Get)" demands respect past rebuking a jealous partner,[21] while the seventh track, "Lucky", is a eye-rending tale of a Hollywood starlet's loneliness, proving that fame can be empty.[21] "If there's nil missing in my life/So why do these tears come at night?", she asks.[xx] "School trounce" is the theme of "Ane Kiss from You",[21] a track that has a reggae-style beat and lyrics most the feelings of falling in love, and the quickness of it,[25] with Spears cooing that later merely one kiss she sees her entire future with her lover.[26] The ballad "Where Are Yous At present" talks about wanting to know where a previous love is, and what that person is upward to, so that she can finally let them become and detect closure.[ commendation needed ] Lines on "Can't Make You Dearest Me", a Europop vocal,[22] state that fancy cars and money pale in comparing to true dearest,[21] with Spears singing: "I'm just a daughter with a shell on yous."[22] The mid-tempo, synth-backed "When Your Optics Say It", written by songwriter Diane Warren, combines a string section with a loping hip hop beat,[18] while Spears makes her ain songwriting debut on the modest, keyboard-driven ballad "Dearest Diary", which she said is autobiographical. On the rails, she sings of wanting to become "so much more than friends" with a boy.[eighteen]
Release and promotion [edit]
In late 1999, Spears promoted her upcoming anthology in Europe with live performances of her past songs. She appeared on Smash Hits in the United Kingdom.[27] In Italy, she did a short interview on the television show TRL Italy in early 2000.[27] and gave a surprise operation in Paris in May 2000.[28] In Commonwealth of australia, Spears appeared on The House of Hits and Russell Gilbert Live on May thirteen.[27] In Spain, she gave an interview with El Rayo on September 8 and October 24.[27] Spears performed at large venues in the United Kingdom, including Birmingham, the Wembley Loonshit in London, and the Manchester Evening News Loonshit. She was accompanied by NSYNC, who toured with her during a short Uk outing in October 2000.[28]
Oops!... I Did It Again was first released in Nihon on May 3, 2000, and was later released in the The states on May sixteen. In the United States, Spears appeared on Saturday Dark Alive on May 13, The Rosie O'Donnell Prove on May 15, and Teen People's 25 Under 25 on May 26.[29] On May 10, she was interviewed on Late Night with Conan O'Brien.[27] On May 13, Spears was both the host and musical invitee on NBC's Saturday Night Alive. She besides performed on NBC'south The Tonight Show with Jay Leno on May 23.[xxx] Spears' held her mail-TRL listening party, "Britney'south First Mind", on May 16, and was toast the arrival of her album on next Tuesday's installment of TRL that started at three:30 p.k. (ET).[31] On May 14, she was at Times Foursquare studios for two hours of "Britney Alive" that started at apex.[31] Spears performed "Oops!... I Did Information technology Again" on MTV's All Access: Backstage with Britney that was broadcast on July nineteen, 2000.[27] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio Urban center Music Hall, Spears gave a memorable live performance.[32] which included a encompass of the Rolling Stones'due south hit single "(I Tin can't Get No) Satisfaction" (1965) and her own hit "Oops!... I Did It Once more", released earlier that year. While she began her segment in a black suit, she shocked the audition and the media while, at just the age of eighteen, ripped it off to display a revealing, flesh-colored stage outfit with hundreds of strategically placed Swarovski crystals.[33] I calendar month before the release of the album, Spears headed to Hawaii on Easter Dominicus so she could tape a Fox television special titled Britney Spears in Hawaii. The free concert was held on the beach in front of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[34] The Play a trick on concert event was intended to serve as a preview of Spears' Oops!... I Did It Over again album that features her twelve new songs.[34] Spears had on a calendar month-long international promotional tour in support of Oops!... I Did It Again, and on May ii, she had a press event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[35] Spears was as well among the scheduled performers on the 42nd Almanac Grammy Awards, which aired on CBS at 8 p.g. (ET/PT).[36] She was also expected to announced on a Grammy-24-hour interval TRL.[36]
The album'southward supporting tour, the Oops!... I Did It Again Tour, visited North America, Europe, and Brazil equally part of Stone in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Once again" and "Don't Allow Me Exist the Last to Know". On June 24, 2000, Spears was featured in a print and television advertising entrada for Clairol'south Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her own song for the brand chosen "I've Got the Urge to Herbal" that was featured in sixty-2d radio spots and was part of a pre-concert video presentation for Spears's fifty-city summer concert bout, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did Information technology Again" was released as the atomic number 82 unmarried from the album and achieved worldwide popularity. Information technology became Spears'due south third top-x striking unmarried on the United states Billboard Hot 100, peaking at number nine; withal, in comparing to the huge success of her debut single "...Baby One More Time", Jive Records considered "Oops!... I Did It Once more" a minor disappointment.[38] The song peaked at number one on the US Mainstream Pinnacle 40,[39] holding the tape for the nearly radio additions in one day. "Oops!... I Did Information technology Again" peaked atop the charts in Commonwealth of australia, Belgium, Canada, Italy, kingdom of the netherlands, New Zealand, Kingdom of norway, Poland, Romania, Kingdom of spain, Sweden, Switzerland and the United Kingdom.[40] An accompanying music video for "Oops!... I Did Information technology Again" saw Spears on Mars in now-iconic red shiny catsuit, while she is visited by an American astronaut who hands her the fictional Center of the Body of water jewel which Rose threw into the sea at the cease of Titanic.[41]
The album's second single, "Lucky", was released on July 24, 2000 and received positive response from the music critics, who considered one of her best offerings from the album. Commercially, "Lucky" topped the charts in Republic of austria, Deutschland, Sweden and Switzerland, while reaching number five on the UK Singles Chart.[42] In the Usa, "Lucky" only managed to peak at number xx-3 on the Billboard Hot 100 chart and at number nine on the Mainstream Top 40.[38] The "glittery" music video sees Spears as the narrator and an actress named Lucky, who is a melancholy movie star and shows her conflicted relationship to fame.[43]
The third unmarried, "Stronger", was released on Oct 30, 2000 and became the album's 2d highest-charting single in the United States, peaking at number xi on the Billboard Hot 100 and number ane on the Hot Single Sales.[38] It reached number seven on the United kingdom Singles Chart.[44] Its music video sees Spears catching her boyfriend adulterous on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[43] while the chair sequence in the video was inspired by Janet Jackson'south video for "The Pleasure Principle".[45]
The fourth and last single, "Don't Let Me Be the Final to Know", was released on March 5, 2001 and is ane of Spears' favorite tracks of her career. In the United states of america, the vocal performed well below expectations, failing to nautical chart on the Billboard Hot 100 nor the Mainstream Tiptop forty. However, the song attained success in Europe, topping the Romanian Top 100 and peaking inside the tiptop ten in Republic of austria, Poland and Switzerland, while merely missing the top ten in Deutschland, Ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[46] The music video was considered also racy at the fourth dimension, portraying Spears in love scenes with her fictional young man, played by French model Brice Durand.[47]
"You Got It All" received a promotional release in France in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the Uk in January 2001.[ commendation needed ]
Disquisitional reception [edit]
| Amass scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[49] |
| Review scores | |
| Source | Rating |
| AllMusic |   [1] |
| Billboard | favorable[17] |
| Christgau's Consumer Guide |  [l] |
| Entertainment Weekly | B[22] |
| Los Angeles Daily News | [51] |
| MTV Asia | viii/10[52] |
| NME | 8/10[20] |
| Rolling Stone |  [23] |
| Salon | favorable[53] |
| Sonic.cyberspace | [54] |
Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Again received an average score of 72, based on 12 reviews, indicating "mostly favorable reviews".[55] Giving the album four out of v stars, Stephen Thomas Erlewine of AllMusic noted that the anthology "has the aforementioned combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic toe-pop that fabricated 'One More Fourth dimension'," just remarked that, "Fortunately, she and her product team not only have a stronger overall ready of songs this fourth dimension, but they also occasionally get carried away with the same bewildering magpie aesthetic, [...] giv[ing] the anthology character apart from the well-crafted trip the light fantastic-pop and ballads that serve as its eye. In the cease, it's what makes this an entertaining, satisfying listen."[one] Billboard magazine wrote that "'Oops!...' indicates that she'south developing a soulful edge and emotional depth that can't exist conjured with a glass-shattering notation," praising the anthology for consistently bandage[ing] Spears as a immature woman coming to terms with her inner power—and that's a darn good message to offering an impressionable audition."[17] Entertainment Weekly's David Browne gave the album a B-rating, writing that the album "reminds us one time again that the best new pop can be a blast of cool air in a stifling room."[22]
Rob Sheffield of Rolling Stone gave the album a iii-and-a-half out of five stars rating, calling the anthology "fantastic pop cheese, with much better song-manufactory hooks than 'N Sync or BSB go", also noting that "the great thing about Oops!, under the cheese surface, is complex, trigger-happy and downright scary, making her a true child of rock & curl tradition."[23] A writer of NME reported that "she's modern-day pop perfection realised in a nearly, human course", commenting that "she's washed it once more."[20] Lennat Mak of MTV Asia named it "a brilliant 2d album", writing that Spears "is armed with a more mature and seasoned pop star look, stronger and poppier songs, and of course, extensive media exposure."[52] Andy Battaglia of Salon chosen the album "a masterpiece of sorts not for its bulletin but for the way information technology applies the conventions of the popular-musical medium."[53] Website The A.Five. Club was more mixed, calling information technology "a joyless flake of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks every bit Diane Warren and assorted Swedes."[56]
Accolades [edit]
Commercial functioning [edit]
In the United states of america, Oops!... I Did Information technology Again reportedly sold 500,000 copies in its first twenty-four hour period of release.[62] It debuted at number i on the Billboard 200 chart, with offset-calendar week sales of 1,319,193 copies.[63] [64] [65] With its success, Spears held the tape for the highest showtime-calendar week sales by a female artist.[66] This record was held for xv years, only to be surpassed in November 2015 past the album 25 by Adele, which sold over 3.38 1000000 albums in the Usa in its first week.[4] The album brutal to number ii in its 2d week, with additional sales of 612,000 copies.[67] It held this position for 15 consecutive weeks.[68] [69] By its fifth week of availability, Oops!... I Did It Over again had sold over iii million copies and had passed five 1000000 copies past August.[70] On its seventeenth week on the chart,[71] it was certified septuple Platinum by the Recording Industry Association of America (RIAA) for shipments of vii million units.[72] [73] The album spent fourscore-iv weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Chart, and 2 weeks on the US Itemize Albums.[74] Oops!... I Did Information technology Again debuted at number lxxx-two on the European Meridian 100 Albums, and quickly peaked at number one;[75] information technology sold over four 1000000 copies within the continent, being certified four-times Platinum by the International Federation of the Phonographic Industry.[76] Oops!... I Did Information technology Again reached number ii on the UK Albums Chart,[forty] selling 88,000 copies in the first calendar week of release; it remained in the superlative five for four weeks. The album debuted at number 1 in Canada, selling 95,275 copies in its first week.[77]
Information technology topped the French Albums Chart[78] and the High german Offizielle Peak 100, too being certified triple Platinum by the British Phonographic Industry (BPI),[79] double Gold by the Syndicat National de fifty'Édition Phonographique (SNEP)[lxxx] and triple Platinum by Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Nautical chart, and spent ten weeks in the peak xx;[82] it became the fourteenth highest-selling of 2000 in the country and was certified double Platinum by the Australian Recording Industry Clan (ARIA) the following year after aircraft 140,000 copies to retailers.[83] [84] Oops!... I Did It Once again opened at number three on the New Zealand Albums Chart and was certified Gold later just ane calendar week on the chart.[85] The Recording Industry Association of New Zealand (RIANZ) ultimately certified it double Platinum.[86] Oops!... I Did It Over again became the tertiary acknowledged album of 2000 in the United States, selling 7,893,544 albums according to Nielsen SoundScan[87] and fourth acknowledged anthology according to Billboard Year-End of 2000.[88] On Jan 24, 2005, the album was certified decuple Platinum (Diamond) past the Recording Manufacture Clan of America (RIAA).[89] [90] Also, the anthology landed at number twenty-seven on BMG Music Society all-fourth dimension best-sellers list with one.21 million units, behind Shania Twain's The Woman in Me (1.24 million) and Nirvana's Nevermind (1.24 one thousand thousand).[91] As of July 2009, the album has sold nine,184,000 copies in the United States, excluded copies sold through clubs, such as the BMG Music Service.[92] Worldwide, Oops!... I Did It Again sold 2.5 one thousand thousand copies in its first week (second highest beginning week sales by a female artist worldwide) and sold 15 one thousand thousand copies past the cease of the year. It was the all-time-selling female anthology and 3rd best selling album of 2000. The album has sold xx meg copies worldwide.[6]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Amusement Group and BMG Music Publishing, claiming Spears' "What U See (Is What U Get)" and "Can't Make You Love Me" are "virtually identical" to i of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song chosen "What Yous See Is What You lot Get" in 1999 to one of Spears' representatives for consideration on a future anthology, though it was rejected.[93] The case was later dismissed later on it was ruled that they lacked sufficient evidence and that there "weren't enough similarities between the 2 songs to bear witness copyright infringement."[94]
Track listing [edit]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Oops!... I Did It Over again" |
|
| 3:31 |
| 2. | "Stronger" |
|
| 3:23 |
| three. | "Don't Get Knockin' on My Door" |
|
| iii:43 |
| 4. | "(I Can't Go No) Satisfaction" |
| Rodney Jerkins | four:23 |
| five. | "Don't Permit Me Be the Last to Know" |
| Lange | 3:l |
| half dozen. | "What U See (Is What U Get)" |
|
| 3:36 |
| 7. | "Lucky" |
|
| three:26 |
| viii. | "One Buss from You" | Steve Lunt |
| 3:23 |
| 9. | "Where Are You Now" |
|
| 4:39 |
| 10. | "Can't Brand You Love Me" |
|
| three:17 |
| 11. | "When Your Eyes Say It" | Diane Warren |
| 4:29 |
| 12. | "Dear Diary" |
|
| two:46 |
| Total length: | 44:37 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 12. | "Girl in the Mirror" | Elofsson |
| 4:06 |
| thirteen. | "Dear Diary" |
|
| 2:46 |
| Total length: | 48:24 | |||
| No. | Title | Author(south) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Eyes Say Information technology" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| three:36 |
| 13. | "Y'all Got It All" | Rupert Holmes | Eric Foster White | four:43 |
| 14. | "Dearest Diary" |
|
| two:46 |
| Full length: | 52:33 | |||
| No. | Title | Writer(s) | Producer(due south) | Length |
|---|---|---|---|---|
| 11. | "When Your Optics Say Information technology" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
| thirteen. | "You lot Got It All" | Holmes | White | iv:10 |
| xiv. | "Eye" |
|
| 3:31 |
| 15. | "Dear Diary" |
|
| two:46 |
| Full length: | 55:34 | |||
| No. | Title | Length |
|---|---|---|
| i. | "Don't Permit Me Be the Terminal to Know" (Anthology version) | 3:l |
| 2. | "Don't Let Me Be the Last to Know" (Hex Hector Radio Mix) | 4:01 |
| iii. | "Don't Allow Me Be the Terminal to Know" (Hex Hector Lodge Mix) | x:12 |
| 4. | "Stronger" (MacQuayle Mix Show Edit) | v:21 |
| five. | "Stronger" (Pablo La Rosa'southward Tranceformation) | seven:21 |
| half dozen. | "Oops!... I Did It Again" (Music video) | 4:11 |
| 7. | "Lucky" (Music video) | 4:07 |
| 8. | "Stronger" (Music video) | three:37 |
| ix. | "Don't Allow Me Exist the Terminal to Know" (Music video) | iii:51 |
| Full length: | 30:52 | |
| No. | Title | Length |
|---|---|---|
| ane. | "Oops!... I Did Information technology Once again" (Music video) | 4:20 |
| 2. | "Lucky" (Music video) | 4:14 |
| three. | "Stronger" (Music video) | three:47 |
| 4. | "Oops!... I Did Information technology Again" (Karaoke) | 4:17 |
| 5. | "Lucky" (Karaoke) | four:18 |
| 6. | "Stronger" (Karaoke) | 3:46 |
| Total length: | 25:25 | |
Notes
- Track 4, "(I Can't Get No) Satisfaction" is a cover of the 1965 Rolling Stones unmarried.
- ^a signifies a song producer
Personnel [edit]
Credits adapted from AllMusic.[102]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, cord arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Mason, Sr. – editing
- Bobby Brown – assistant engineer
- Flip Osman – assistant engineer
- Clayton Wood – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – banana engineer
- Charles McCrorey – engineer, assistant engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Mason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – song engineer
- Jackie Murphy – art management, design
- Mark Seliger – back encompass, cover photograph
- Larry "Rock" Campbell – bass, guitar, producer, drum programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – hair stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken word
- Robert "Esmail" Jazayeri – keyboards, producer, drum programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – make-up
- Johnny Wright – management
- Tom Coyne – mastering
- Nigel Green – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, usher, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, song system, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – cord coordinator
- Hayley Hill – stylist
- Alfred V. Brown – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Cistron Orloff – violin
- Marion Pinhiero – violin
- Marti Sweet – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – background vocals
- Audrey Martells – background vocals
- Nana Hedin – background vocals
- Darryl Anthony – groundwork vocals
- Nora Payne – background vocals
- Jeanette Söderholm – groundwork vocals
- Therese Ancker – background vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – groundwork vocals
- Nina Woodford – background vocals
- Mona Yacoub – background vocals
- Jeanette Olsson – background vocals
- Stephanie Baer – groundwork vocals
Charts [edit]
Weekly charts [edit]
| Yr-end charts [edit]
Decade-terminate charts [edit]
All-time charts [edit]
|
Certifications and sales [edit]
Release history [edit]
See also [edit]
- Listing of best-selling albums
- List of all-time-selling albums past women
- List of acknowledged albums in the United States
- List of fastest-selling albums
Notes [edit]
- ^ Every bit of December 2010, Oops!...I Did It Again has sold 9,201,000 copies in the Usa co-ordinate to Nielsen SoundScan,[185] with additional 1,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does not count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s.[92]
References [edit]
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- ^ "Premios – 2000" (in Castilian). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Manufacture.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did It Once more - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did Information technology Again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Again - Amazon.com Music
- ^ "Oops!... I Did It Again (Special Britain Edition)". AllMusic. October 9, 2000. Retrieved August 31, 2021.
- ^ "Oops!... I Did It Again [Japan 2001 Bonus Tracks]". AllMusic. February 13, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did It Once more Commonwealth of australia Special Edition w/Bonus Disc of Remixes And Videos". Record Runner USA . Retrieved August 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Once again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Once again Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did Information technology Again 20th anniversary edition picture vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Simply Hits. Year by year. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)
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